(This is a response to the previous post by John)
Visiting the Odessa Opera House was a total surprise for me. First of all, I was astonished because it was John’s idea and he had never before expressed the slightest interest in opera or ballet. Actually I remember hearing him say something in the past about disliking opera but the lack of evidence doesn’t allow me to prove this.
Secondly, I have never seen the Kharkov Opera theatre as crowded as I saw Odessa’s Opera House, especially during the summer months which are considered to be the “dead season” to all those who perform at, help run or attend the theatre. Surprisingly, there was no scene with celebrities from abroad, no scandalous director, and no innovations. It was a strict classic hackneyed performance of Tchaikovsky’s ballet. I would never have expected tickets to be completely sold out. It was absolutely fascinating to see all those people trying to get access to the ticket box after it was closed or looking for some different ways to get into the theatre.
The performance itself could have been better considering the agitation that was displayed outside. This could be mainly regarded to the orchestra, which wasn’t massive enough to drown the sound of dancing. It was passable during single dances and even pas de trois, but not during the corps de ballet collective dances. Some giggling went through the audience when we were hearing the heavy sound of “little swans” feet. In my opinion they decided to cut down on expenses and sent most of the musicians on vacation. This was very smart, because people go to ballet not to listen but mainly to see, so who cares about music and aesthetics of performance?
Anyway, the Opera House has its special “artistic” atmosphere, with its luxurious décor and interior, which at once reminded me of all the world’s best-looking theaters such as La Scala, Prague , Dresden , Vienna Opera and the Metropolitan Opera. But of course I have only seen them in movies and pictures.
Defining the style of the Opera House, John somehow came up with Italian baroque, but I’ve read only about its referring to Viennese baroque (all building) and French rococo (audience hall interior).
It’s a pity for me, but I would never think about a style mixture like this looking at Kharkov Opera and Ballet Theatre, which gained a folk title of “Fantômas castle”, because of its horrendous and somehow hilarious, heavy, soviet-type architecture. To add fuel to the fire, the project of this building, made by Soviet architerctor Mirgorodskiy was planned for both Kiev and Kharkov but was rejected by the first one.
Posted by Helen
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